ESI, a serious education in music and dance

I will try to explain what our schedule is like and what this education is like. What isn’t captured in the schedule is the fact that the content is very intense and thorough, and our teachers are really superb at educating us in this way.

We have classes daily M-F, 9 AM to 4:20 PM:
8:10 breakfast
9:00 lesson
10:30 fika
10:40 lesson
12:10 lunch
13:00 lesson
15:00 fika
15:20 lesson
16:20 end

For the dancers, they generally go every day until 4:20 PM. They have little homework, and aren’t practicing musical instruments.

For the musicians, one or more days a week we are scheduled to work on our own, usually at the end of the day. We spend a lot of time practicing in the evenings and weekends, and it is very helpful to be able to begin that earlier in the day. We also have a weekly, scheduled hour for us to exercise together as a class.

Musician “lessons” consist of:

  1. Regular lessons: work with teachers, learning techniques, learning tunes, discussing the music. We have three main teachers, Ditte Andersson, Olov Johansson, and Sonia Sahlström and will usually have all three each week. They teach one at a time, not together, but are very well coordinated. We also have guest teachers, some regularly and others just once per year. A regular guest teacher is Mia Marin. All of the teachers are wonderful. They each bring something different and interesting.
  2. Individual, private lessons, two each with each teacher in the fall, again in the spring. They are spaced two weeks apart with each teacher, so we can follow up on whatever we worked on in the first lesson.
  3. We play solo for the class, and discuss what that is like, what could use improvement, etc. We also play solo for the dance class, and as a group.
  4. Arranging, including chords, compositions, making a second voice or accompaniment. There is usually homework in arranging, usually transcribing a tune and adding a second voice or accompaniment. We then turn that in written on paper, and play it in class and discuss.
  5. Concerts involve a very thorough planning and rehearsal process, teaching us very important things about performing.
  6. We do an individual project in the winter, intended to take 3 hours a week over 10 weeks to put together. We produce a written document, and present the findings or results to the class in 20-30 minute presentations that include playing 5 tunes for each other on our main instrument.

Together with the dancers, we also have:

  1. Dance: every other week we spend a day dancing with the entire class
  2. Music theory: reading music, chords, rythms, transcription of tunes. There is often homework in music theory class, e.g. transcribing a tune.
  3. Singing
  4. Voice training, including vocal presentation, e.g. announcing tunes at a concert
  5. Occasional history, including a trip to a local church with medieval paintings of nyckelharpa-playing angels, and discussion of Swedish Christmas traditions
  6. Dancer-musician interaction: We have had some sessions playing for the dancers and discussing the interaction. There is a regular blog post about this very interesting phenomenon! Musicians are also taking turns playing solo for the entire class, with critique and suggestions for improving at this particular skill.
  7. The Winter and Spring concerts are done together with the dancers (the autumn concert was musicians only).

Our time in the evenings and weekends is free, but our location is remote so getting to other events is done mostly on the weekends. For example, my trips to the Norrköping dance group are on Sundays. If we do go to other events, for example Sunday evenings at Skeppis in Stockholm, we get back to Tobo very late.

This year we have 11 dancers and 9 music students. We are a very international group this year. Of the 9 music students, 6 of us play nyckelharpa and 3 play violin. Four are from Sweden, one Norway, one Switzerland, one Japan, and two from the USA.

Of the 11 dancers, five are from Sweden, one USA, two Britain, one Finland, one Denmark, and one Germany.

Seventeen of us live here in the annex to the main building. We each have our own room and bath. The others commute from Stockholm, Upplands Väsby or Uppsala. The school provides breakfast and lunch Monday through Friday, but we shop, cook, eat, and clean up our own dinners, and all food on weekends. We have a shared double kitchen in the annex. It can be a lot of fun, but can be quite crowded if we all try to make our dinners at the same time.

We have three weeks off during the term, one each in the fall, winter and spring. And we have a 2.5-week break over Christmas-New Years. These breaks are much-needed and very refreshing!

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Our amazing teachers, Olov Johansson, Ditte Andersson, and Sonia Sahlström.

 

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Dance teachers Ami Dregelid and Andreas Berchtold.

 

3 Comments|Add your own comment below

  1. Hej Sonja,

    thank you for your very quick and elaborate answer to my suggestion in your About section! I really appreciate the time you spent writing this post! Tusen tack! It was a really interesting read.

    Rest assured, now my envy is even bigger, it sounds like a great time with lots of opportunities. Ah, well, at least I finally have my own nyckelharpa since last week – before that I could only practice on the harpa of my girlfriend. Now the real practice can finally begin. And we here in Germany also have more opportunities for nyckelharpa workshops than most others, I think. It’s not much, but there are regular opportunities. I will be going to a workshop of Josefina Paulson in January, really looking foward to that!

    I still have some other questions, but I don’t want to pester you too much 😉
    Maybe another time, if you’re open for it?

    In the meantime, please continue enjoying your stay! I really appreciate that you write this whole blog, since yours seems to be the most detailed and elaborate of all blogs about ESI (at least from the ones that I know).

    By the way, do you get the holiday week of?

    I hope you have a nice hanuka (I think you’re jewish?)!
    Björn

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